{"id":1113,"date":"2009-03-10T09:49:34","date_gmt":"2009-03-10T09:49:34","guid":{"rendered":"http:\/\/we-english.co.uk\/blog\/?p=1113"},"modified":"2009-03-10T09:56:06","modified_gmt":"2009-03-10T09:56:06","slug":"tom-hunters-hackney","status":"publish","type":"post","link":"https:\/\/we-english.co.uk\/blog\/2009\/03\/10\/tom-hunters-hackney\/","title":{"rendered":"TOM HUNTER&#8217;S HACKNEY"},"content":{"rendered":"<p class=\"style5\" align=\"left\">I was interested to listen to photographer <a title=\"Tom Hunter's website\" href=\"http:\/\/www.tomhunter.org\" target=\"_blank\">Tom Hunter&#8217;s<\/a> somewhat candid presentation last weekend at the <a title=\"Rhubarb Rhubarb\" href=\"http:\/\/www.rhubarb-rhubarb.net\/\" target=\"_blank\">Rhubarb Rhubarb<\/a> Cultivate seminar held at London College of Communication, where I was also speaking. Hunter graduated from the college in 1994 and has gone on to have a successful career exhibiting at galleries nationally and internationally (including being the first photographer to have an exhibition at  the National Gallery, London). He first came to prominence in 1998 after winning the John Kobal Photographic Portrait Award with this picture:<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1170\" title=\"woman-reading-possession-order-1997\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/woman-reading-possession-order-1997.jpg\" alt=\"woman-reading-possession-order-1997\" width=\"349\" height=\"440\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/woman-reading-possession-order-1997.jpg 349w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/woman-reading-possession-order-1997-237x300.jpg 237w\" sizes=\"(max-width: 349px) 100vw, 349px\" \/><\/p>\n<p>Woman Reading Possession Order, \u00c2\u00a9 Tom Hunter, 1997. From the series <a title=\"Persons Unknown\" href=\"http:\/\/www.tomhunter.org\/html\/pu_01.htm\" target=\"_blank\">Persons Unknown<\/a>.<\/p>\n<p>Hunter is interesting as his work has often concentrated on a very small geographical area, that of his home in East London and particularly Hackney, while his subjects have tended to be members of the community of travellers he knows as neighbours and friends. (It&#8217;s worth noting the work of\u00c2\u00a0 <a title=\"Stephen Gill\" href=\"http:\/\/www.stephengill.co.uk\/\" target=\"_blank\">Stephen Gill<\/a> whose photographs have also extensively explored the area of Hackney). I&#8217;ve not got time to discuss Hunter&#8217;s work, instead here are a selection of photographs from various series he&#8217;s made in Hackney over the past few years, along with links to some articles and audio interviews.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1173\" title=\"hollystreetv\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/hollystreetv.jpg\" alt=\"hollystreetv\" width=\"458\" height=\"371\" \/><\/p>\n<p>\u00c2\u00a9 Tom Hunter<\/p>\n<p><a href=\"http:\/\/www.tomhunter.org\/html\/to_02.htm\"><img loading=\"lazy\" src=\"http:\/\/www.tomhunter.org\/pix\/nugallery\/HollyStreetii.jpg\" border=\"0\" alt=\"Next\" width=\"460\" height=\"344\" \/><\/a><\/p>\n<p>\u00c2\u00a9 Tom Hunter<\/p>\n<p>These two images are from the series <a title=\"Empty Towerblock series\" href=\"http:\/\/www.tomhunter.org\/html\/to_01.htm\" target=\"_blank\">Empty Towerblock<\/a>, which Hunter describes as: &#8220;The empty tower block stands as a symbol of a paradigm failure in UK social policy: the Dystopia and ultimate waste of castle-in-the-air housing projects which were scrapped and abandoned. They are all the more poignant a choice for imaging, given that tower blocks were originally meant to be a dream (Utopian) solution to the issue of &#8216;decent&#8217; housing.&#8221;<\/p>\n<p class=\"style5\" align=\"left\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1171\" title=\"the-way-home-2000\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/the-way-home-2000.jpg\" alt=\"the-way-home-2000\" width=\"456\" height=\"357\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/the-way-home-2000.jpg 459w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/the-way-home-2000-300x235.jpg 300w\" sizes=\"(max-width: 456px) 100vw, 456px\" \/><\/p>\n<p class=\"style5\" align=\"left\">The Way Home \u00c2\u00a9 Tom Hunter, 2000<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1168\" title=\"the-hackney-man-2000\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/the-hackney-man-2000.jpg\" alt=\"the-hackney-man-2000\" width=\"456\" height=\"363\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/the-hackney-man-2000.jpg 453w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/the-hackney-man-2000-300x238.jpg 300w\" sizes=\"(max-width: 456px) 100vw, 456px\" \/><\/p>\n<p>The Hackney Man \u00c2\u00a9 Tom Hunter, 2000<\/p>\n<p class=\"style5\" align=\"left\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1167\" title=\"after-the-dragon\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/after-the-dragon.jpg\" alt=\"after-the-dragon\" width=\"457\" height=\"360\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/after-the-dragon.jpg 457w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/after-the-dragon-300x236.jpg 300w\" sizes=\"(max-width: 457px) 100vw, 457px\" \/><\/p>\n<p class=\"style5\" align=\"left\">After The Dragon \u00c2\u00a9 Tom Hunter, 2000<\/p>\n<p class=\"style5\" align=\"left\">These last three images are taken from his series, <a title=\"Life and Death in Hackney series\" href=\"http:\/\/www.tomhunter.org\/html\/tld_01.htm\" target=\"_blank\">Life and Death in Hackney<\/a>, which he describes as: &#8220;More overtly than other series, these images convey a bleak outlook, but one which is familiar and fair, and broadly resonant with today&#8217;s society. Subjects are shown in soporific states, or role-playing &#8216;death scenes&#8217;, and these are located in overgrown fields, wasteland, or graveyards&#8230;.This assists the ethereal, or &#8216;other-worldly&#8217;, quality to the frames as the wild, untouched-looking country found in Hackney seems apocryphal and &#8216;dream-like&#8217;, despite its contemporary reality.&#8221;<\/p>\n<p class=\"style5\" align=\"left\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1164\" title=\"crows-road-2002\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/crows-road-2002.jpg\" alt=\"crows-road-2002\" width=\"457\" height=\"353\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/crows-road-2002.jpg 466w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/crows-road-2002-300x231.jpg 300w\" sizes=\"(max-width: 457px) 100vw, 457px\" \/><\/p>\n<p class=\"style5\" align=\"left\">Crows Road \u00c2\u00a9 Tom Hunter, 2002. From his <a title=\"Swan Song series\" href=\"http:\/\/www.tomhunter.org\/html\/sws_01.htm\" target=\"_blank\">Swan Song<\/a> series.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1169\" title=\"london-fields-2003\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/london-fields-2003.jpg\" alt=\"london-fields-2003\" width=\"347\" height=\"440\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/london-fields-2003.jpg 347w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/london-fields-2003-236x300.jpg 236w\" sizes=\"(max-width: 347px) 100vw, 347px\" \/><\/p>\n<p>London Fields \u00c2\u00a9 Tom Hunter, 2003. From his <a title=\"Swan Song series\" href=\"http:\/\/www.tomhunter.org\/html\/sws_01.htm\" target=\"_blank\">Swan Song<\/a> series.<\/p>\n<p>Hunter&#8217;s show at the National Gallery, <a title=\"Living in Hell at National Gallery\" href=\"http:\/\/www.nationalgallery.org.uk\/exhibitions\/tom_hunter\/default.htm\" target=\"_blank\">Living in Hell and Other Stories<\/a>, took as its subject the lives of the ordinary residents of Hackney, as reported in local newspapers. These often startling stories are told in carefully staged photographs derived from Renaissance paintings. You can read an article about the work by Martin Herbert <a title=\"Martin Herbert article on Hunter\" href=\"http:\/\/www.tomhunter.org\/html\/lh_19.htm\" target=\"_blank\">here<\/a>.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1172\" title=\"living-in-hell-2004\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/living-in-hell-2004.jpg\" alt=\"living-in-hell-2004\" width=\"452\" height=\"351\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/living-in-hell-2004.jpg 464w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/living-in-hell-2004-300x232.jpg 300w\" sizes=\"(max-width: 452px) 100vw, 452px\" \/><\/p>\n<p>Living in Hell, \u00c2\u00a9 Tom Hunter, 2004<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1166\" title=\"for-batter-or-worse\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/for-batter-or-worse.jpg\" alt=\"for-batter-or-worse\" width=\"453\" height=\"362\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/for-batter-or-worse.jpg 451w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/for-batter-or-worse-300x239.jpg 300w\" sizes=\"(max-width: 453px) 100vw, 453px\" \/><\/p>\n<p>For Batter Or Worse \u00c2\u00a9 Tom Hunter, 2004<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1165\" title=\"gangland-execution-boys-find-mans-body-in-river\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/gangland-execution-boys-find-mans-body-in-river.jpg\" alt=\"gangland-execution-boys-find-mans-body-in-river\" width=\"451\" height=\"347\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/gangland-execution-boys-find-mans-body-in-river.jpg 469w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2009\/03\/gangland-execution-boys-find-mans-body-in-river-300x230.jpg 300w\" sizes=\"(max-width: 451px) 100vw, 451px\" \/><\/p>\n<p>Gangland Execution Boys Find Man&#8217;s Body In River \u00c2\u00a9 Tom Hunter, 2004<\/p>\n<p><a href=\"http:\/\/www.tomhunter.org\/html\/lh_08.htm\"><img loading=\"lazy\" src=\"http:\/\/www.tomhunter.org\/pix\/nugallery\/Tom-Hunter-MurderTwo-Men-Wa.jpg\" border=\"0\" alt=\"Next\" width=\"450\" height=\"352\" \/><\/a><\/p>\n<p><span class=\"text01\">Murder Two Men Wanted<\/span> \u00c2\u00a9 Tom Hunter, 2004<\/p>\n<p><a href=\"http:\/\/www.tomhunter.org\/html\/lh_10.htm\"><img loading=\"lazy\" src=\"http:\/\/www.tomhunter.org\/pix\/nugallery\/Tom-Hunter-Rat-in-Bed-2003-.jpg\" border=\"0\" alt=\"Next\" width=\"451\" height=\"357\" \/><\/a><\/p>\n<p><span class=\"text01\">Rat in Bed <\/span>\u00c2\u00a9 Tom Hunter, 2004<\/p>\n<p>You can watch a slideshow and audio tour of the National Gallery show on the Guardian&#8217;s website <a title=\"Tom Hunter on the Guardian website\" href=\"http:\/\/arts.guardian.co.uk\/tomhunter\" target=\"_blank\">here<\/a>. While James Lomax discusses the exhibition on his blog <a title=\"Critique of Tom Hunter's exhibition\" href=\"http:\/\/www.jameslomax.com\/words\/435\/tom-hunter-photography\" target=\"_blank\">here<\/a>.<\/p>\n<p>Here is an interview with Hunter on <a title=\"Interview with Tom Hunter\" href=\"http:\/\/www.ephotozine.com\/article\/Documenting-life-through-photography-10574\" target=\"_blank\">ePhotozine<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was interested to listen to photographer Tom Hunter&#8217;s somewhat candid presentation last weekend at the Rhubarb Rhubarb Cultivate seminar held at London College of Communication, where I was also speaking. Hunter graduated from the college in 1994 and has gone on to have a successful career exhibiting at galleries nationally and internationally (including being [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1164,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[32],"tags":[],"_links":{"self":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts\/1113"}],"collection":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=1113"}],"version-history":[{"count":11,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts\/1113\/revisions"}],"predecessor-version":[{"id":1181,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts\/1113\/revisions\/1181"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/media\/1164"}],"wp:attachment":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=1113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=1113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=1113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}