{"id":2990,"date":"2018-04-27T09:42:25","date_gmt":"2018-04-27T09:42:25","guid":{"rendered":"http:\/\/we-english.co.uk\/blog\/?p=2990"},"modified":"2018-04-27T09:43:45","modified_gmt":"2018-04-27T09:43:45","slug":"john-myers-the-essence-of-britishness","status":"publish","type":"post","link":"https:\/\/we-english.co.uk\/blog\/2018\/04\/27\/john-myers-the-essence-of-britishness\/","title":{"rendered":"John Myers, &#8216;The Essence of Britishness&#8217;"},"content":{"rendered":"<p><a href=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2018\/04\/Sofa20salesman201979.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-2991\" src=\"http:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2018\/04\/Sofa20salesman201979.jpg\" alt=\"\" width=\"813\" height=\"650\" srcset=\"https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2018\/04\/Sofa20salesman201979.jpg 813w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2018\/04\/Sofa20salesman201979-300x240.jpg 300w, https:\/\/we-english.co.uk\/blog\/wp-content\/uploads\/2018\/04\/Sofa20salesman201979-768x614.jpg 768w\" sizes=\"(max-width: 813px) 100vw, 813px\" \/><\/a><\/p>\n<p>Image:\u00c2\u00a0\u00e2\u20ac\u0153Sofa Salesman,\u00e2\u20ac\u009d 1979.<\/p>\n<p>There is a wonderful feature on the photographs of\u00c2\u00a0 John Myers, which has just published on the New Yorker&#8217;s website under the headline &#8216;The Essence of Britishness, Through the Eyes of an Under-Recognized Portrait Photographer&#8217; by\u00c2\u00a0<a class=\"Link__link___3dWao \" title=\"Rebecca Mead\" href=\"https:\/\/www.newyorker.com\/contributors\/rebecca-mead\" rel=\"author\">Rebecca Mead.<\/a><\/p>\n<div class=\"ArticleHeader__metaInfo___1aBON\">\n<div class=\"ArticleContributors__hero___3LvmV\">\n<div class=\"ArticleContributors__contributorWrapper___1CrIJ\">\n<div class=\"Byline__hero___6wzSn \">\n<p class=\"ArticleTimestamp__timestamp___1klks \">Well worth a look:<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/the-essence-of-britishness-through-the-eyes-of-an-under-recognized-portrait-photographer\">https:\/\/www.newyorker.com\/culture\/photo-booth\/the-essence-of-britishness-through-the-eyes-of-an-under-recognized-portrait-photographer<\/a><\/p>\n<p>Myers work was shot throughout the 1970s in the West Midlands, and his pictures have a uniquely British feel to them. The Portraits will be the only complete collection of Myer&#8217;s portraiture work ever published, and we are excited to be bringing this master of portrait and setting to a wider audience. The Portraits is limited to 450 copies; each copy of the book will include a 5&#215;4\u00e2\u20ac\u009d original silver gelatin print. In addition, copies 1-50 will also contain a 10&#215;8\u00e2\u20ac\u009d silver gelatin print. There is a separate portfolio edition of 8 with accompanying presentation box of 12 9.5&#215;12\u00e2\u20ac\u009d silver-gelatin prints. Both the 10&#215;8&#8243; print and the set of 9.5&#215;12&#8243; prints are selenium-toned.<\/p>\n<p>John Myers was born in 1944. His photographs were taken between 1972 and 1983 using a 5 x 4 inch Gandolfi plate camera.<\/p>\n<p>RRB Photobooks have just published a book of John&#8217;s portraits available here:\u00c2\u00a0<a href=\"https:\/\/www.rrbphotobooks.com\/pages\/john-myers-the-portraits\" target=\"_blank\" rel=\"noopener\">https:\/\/www.rrbphotobooks.com\/pages\/john-myers-the-portraits<\/a><\/p>\n<p>23rd\u00c2\u00a0April 2018<br \/>\n<strong>Binding<\/strong>\u00c2\u00a0Hardcover<br \/>\n<strong>Size<\/strong>\u00c2\u00a0250 x 285\u00c2\u00a0mm<br \/>\n<strong>Extent<\/strong>\u00c2\u00a0176 pages<br \/>\n<strong>ISBN<\/strong>\u00c2\u00a09781999727512<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Image:\u00c2\u00a0\u00e2\u20ac\u0153Sofa Salesman,\u00e2\u20ac\u009d 1979. There is a wonderful feature on the photographs of\u00c2\u00a0 John Myers, which has just published on the New Yorker&#8217;s website under the headline &#8216;The Essence of Britishness, Through the Eyes of an Under-Recognized Portrait Photographer&#8217; by\u00c2\u00a0Rebecca Mead. Well worth a look: https:\/\/www.newyorker.com\/culture\/photo-booth\/the-essence-of-britishness-through-the-eyes-of-an-under-recognized-portrait-photographer Myers work was shot throughout the 1970s in the West [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2991,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[32,40],"tags":[],"_links":{"self":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2990"}],"collection":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=2990"}],"version-history":[{"count":3,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2990\/revisions"}],"predecessor-version":[{"id":2994,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2990\/revisions\/2994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/media\/2991"}],"wp:attachment":[{"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=2990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=2990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/we-english.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=2990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}